New Music Friday: Dua Lipa, Gal Costa, Mod Sun, slowthai & more!

Happy Friday! Here are some albums being released this week that I’m personally interested in checking out, in alphabetical order:

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» BaianaSystem – Navio Pirata (listen on Spotify)

» Clap Your Hands Say Yeah - New Fragility (listen on Spotify)

» Claud - Super Monster (listen on Spotify)

» Dua Lipa – Future Nostalgia (The Moonlight Edition) (listen on Spotify)

» Emile Mosseri – Minari (OST) (listen on Spotify)

» Gal Costa – Nenhuma Dor (listen on Spotify)

» Jon Foreman – Departures (listen on Spotify)

» Mod Sun – Internet Killed The Rockstar (listen on Spotify)

» Sia – Music (OST) (listen on Spotify)

» slowthai – TYRON (listen on Spotify)

» The Pretty Reckless – Death By Rock And Roll (listen on Spotify)

» Virginia Wing – private LIFE (listen on Spotify)

» Young Lights - Somewhere Between Here and Now (listen on Spotify)

Favorite Albums of 2020

Over the past year, I’ve listened to 118 albums released in 2020. Not as many as a music critic for sure, but more than the average person, I’d guess? So here’s a quick list of my 20 favorite albums from the year, in alphabetical order:

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Adrienne Lenker - songs (listen on Spotify)
Bring Me The Horizon - Post Human: Survival Horror (listen on Spotify)
Caribou - Suddenly (listen on Spotify)
Dua Lipa - Future Nostalgia (listen on Spotify)
Fiona Apple - Fetch The Bolt Cutters (listen on Spotify)
Fleet Foxes - Shore (listen on Spotify)
HAIM - Women in Music Pt. III (listen on Spotify)
Kelly Lee Owens - Inner Song (listen on Spotify)
Lianne La Havas - Lianne La Havas (listen on Spotify)
Marcelo D2 - Assim Tocam os Meus Tambores (listen on Spotify)
NEEDTOBREATHE - Out of Body (listen on Spotify)
Ólafur Arnalds - some kind of peace (listen on Spotify)
Phoebe Bridgers - Punisher (listen on Spotify)
Rina Sawayama - SAWAYAMA (listen on Spotify)
saudade - jardim entre os ouvidos (listen on Spotify)
Scalene - Fôlego (listen on Spotify)
Tame Impala - The Slow Rush (listen on Spotify)
The Killers - Imploding The Mirage (listen on Spotify)
The Weekend - After Hours (listen on Spotify)
Yves Tumor - Heaven To A Tortured Mind (listen on Spotify)

How do you listen to music?

Recently I did something that I haven’t done in about a decade or so: I bought an album without listening entirely before buying it!

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The record I chose was Sufjan Stevens’ The Ascension, and my decision was influenced by 1) having already enjoyed the singles enough to know I would probably enjoy the full album equally, and 2) I fell in love with the limited edition of the album released in translucent vinyl (ass seen above).

Not too long ago, when I used to collect CDs, that seemed to be the common thing to do, meaning to buy the album knowing very little of its content, past one or two hit singles previously released. The other reason for buying albums in the past was also having previously enjoyed the artist’s work in older records.

But there was also another magic that used to happen in the past. As soon as I was back home with my new purchase, there would be a whole ritual of putting the album in the CD player, opening up the booklet to follow the lyrics, and embarking on a journey that would only end at the very last track of the album.

And my question is: when was the last time you listened to an album back to back? And if that happened, was it a favorite record that you revisited or a brand new release that you wanted to give it a try?

It’s sad to realize that we’re living in the so-called “playlist generation”, where artists are forced by the industry to be constantly releasing new singles all the time in a race trying to not be forgotten. As a fan, of course that it’s great to have new music from artists we like. The more the merrier! But is that really a good thing?

With the streaming services making millions of songs available in our pockets, it’s becoming more and more difficult to sit back and really pay attention to the music we’re listening to. Different than watching a movie, reading a book, or going to an art exhibition, listening to music is (unfortunately) becoming something less active and much more passive than it used to be. Music nowadays is merely a soundtrack to whatever other activity we are doing at the moment, and that’s why the playlists are here to stay.

No wonder why so many young people are interested in buying vinyl again (myself included). It’s an attempt to get a little closer to that feeling of turning the record player on and absorbing all you can take with no distractions. It may be a lost battle against the busy life with shorter attention span we all have right now, but I’m committed to not letting that go for as long as I can!

What are some of your favorite albums from 2020 so far?

Song Exploder and the Magic Behind The Scenes

Over the last decade working as a freelance photographer, one of my favorite things to shoot was the behind the scenes of creative people working on their medium. From musicians to architects, to filmmakers, I’m always fascinated by their thought processes and love witnessing art being created right there in front of me. As much as I enjoy photographing many other things, that was always a sweet spot for me.

Mars Motel @ Virtue and Vice Studios | 2018 | © Leo Mascaro

Mars Motel @ Virtue and Vice Studios | 2018 | © Leo Mascaro

 

With that in mind, it’s easy to understand why Song Exploder was meant to become one of the most inspiring things I would watch this year. Song Exploder (the Netflix show) is based on the Podcast of the same name with the premise of “A podcast where musicians take apart their songs, and piece by piece, tell the story of how they were made.” — I think you know where this is going, right?

 
 

After having listened to a lot of episodes and binge-watching the first season of the tv show, it’s pretty obvious to me that they both act as perfect companions, in the sense that it’s impossible to choose one format over the other. The beauty of the podcast is relying on your ears to put all the pieces together and imagine the whole situation in front of you. At the same time, the advantage of the tv show is being able to see everything that they’re talking about translated into (incredibly produced) imagery. At the end of each episode (in both formats) the song is played in its full version for the first time and, like magic, it’s like you can finally connect all the pieces and from that moment on, you will never listen to that song the same way anymore. And while in the podcast you get to close your eyes and pay full attention to the song, in the tv show we are gifted with an incredible visual experience (unique to each episode) of the song and lyrics, like this one from Lin-Manuel Miranda’s “Wait for It”:

 

This is an excerpt from the Netflix show "Song Exploder" in which the musicians talk about the certain songs, and how it came about. In this episode Lin-Manuel Miranda talks about the song "Wait for it" from the smash hit musical "Hamilton". and this animation plays in the end with the entire song. Executive Producers: Hrishikesh Hirway, Morgan Neville Executive Producer: Caitrin Rogers Co-Executive Producer: Dominic Musacchio Editor: Lee Rosch Post Producer: Will Mavronicolas Assistant Editors: Richard Andrews Madison Cazares Production Co: Tremolo Productions My role was to create the animation segments for the Li-Manuel Miranda's episode for "Song Exploder"


Album Art Vs. Music Video

Music has always been present in my life ever since I can remember: from listening to vinyl (with music made for kids) as a child, to buying my first CD with my own money, to attending hundreds of concerts, to playing drums in my late teens, to finally making a career out of photographing musicians performing live. Adding that to my passion for movies and it’s easy to understand why Music Videos were destined to become another obsession of mine early on.

In this post, I want to explore something that is not always given that much attention, which is when music videos establish some sort of dialogue with the album art of the record that specific song came from. Sometimes is very literal, but sometimes it can be a bit more subjective too. Here are 10 examples:

album: James Blake - James Blake / music video: The Wihelm Scream

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album: Jamie Cullum - The Pursuit / music video: Don't Stop The Music

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album: Céu - Vagarosa / music video: Grains de Beaute


album: Black Drawing Chalks - Life is A Big Holiday For Us / music video: My Favorite Way


album: Korn - Follow the Leader / music video: Freak on a Leash


album: Mika - Life in Cartoon Motion / music video: Lollipop


album: Ben L’Oncle Soul - Ben L’Oncle Soul / music video: Soulman


album: Katy Perry - Teenage Dream / music video: California Gurls


album: Paramore - Riot / music video: Misery Business


album: White Rabbits - It's Frightening / music video: Percussion Gun


Let me know if you’d like to see more, as I’m considering a part 2 or maybe even turning this into a series in the future!